“Jaco was Joni’s liberator, but she wanted the bass to play a greater part in holding down the groove”: Larry Klein on how he handled the challenge of replacing Jaco Pastorius in Joni Mitchell’s band

It was 1972, and the turbulent ‘60s were giving way to the decadent ’70s. Nixon was in the White House, and the Los Angeles home of Hugh Hefner’s international Playboy Club – newly relocated from Sunset Boulevard to Century City and frequented by the likes of Johnny Carson – was a shining beacon of swinging bachelor-pad possibilities.

25 miles away, in suburban Monterey Park, a 16-year-old wunderkind was beginning to find his groove. After starting on guitar at six and switching to bass guitar at nine, Larry Klein’s teacher, Herb Mickman, was schooling him on electric, upright, piano, and jazz harmony, and it was Mickman who suggested they go see the Bill Evans Trio – at the Playboy Club.

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